They're a manifesto. I took you through the ups and downs of my teenage years so you would see I'm a real person. Then I brought you to this moment to say "KA-BLAM! Here's my philosophy on life, suckas!"
I was frustrated with the church culture of "Faith is all smiles, all the time." If you didn't know before, faith is NOT all smiles. Believing in God does not make you stop being a real person— a person with doubts, insecurities, occasional moments of brilliance and a lot of bad ideas. So "Greatness" & "Mediocrity" were my attempt at portraying a more nuanced, dynamic life of faith.
But as with many things in this period, the dark outweighed the light. "Greatness" was inspired and passionate, and I was proud of it. "Mediocrity" never felt like the anthem I meant it to be, so I ignored it. I had to re-listen to it just now to remember what the lyrics were. It's endearing now in its idealism. Though poorly constructed, I love the sentiment behind the line "I wanna love with no agenda / And throw away my witness."
If the album has an overarching theme, it's trying to be everyone's perfect woman. I mention in "Mediocrity" that my past was holding me back.
But in reality, I was the one holding myself back. This song couplet about honesty couldn't reach its highest potential because I wasn't being honest with myself. "Greatness" was completely sincere in its frustration, but "Mediocrity" was so much about what I thought I should say, or even what I wanted to be true. And so the song itself feels a little forced.
When it comes down to it, that's the real reason I haven't released any new music since 2007. Somewhere inside, I knew I needed self-awareness. I knew I needed to learn how to be true to myself.
To make better art, I had to grow up.
I want a revolution.
Is that too much to ask?